All we need is a analog modeling wave sequencing vector synth and we'd be all set. I wouldn't be surprised if Korg carries this line on in the future, it is a miraculous machine. Granted, this cuts down on the strangeness of the WS, but it is still good nonetheless. There are numerous "resonant waveforms" that you can choose from that are. The MIDI implementation is good, and will even clock to wave sequences as well.Ĭontrary to popular opinion, the lack of resonance-while a loss-is not that critical of a weakness in the WS. Definately a board you could take to a gig and not have to worry about. It feels like it can take a pounding and still survive. The machine is pretty sturdy and no-nonsense looking. Clangours, atonal and shifting timbres are another feat the WS EX excels at. This, along with moody strings, are the forte' of this machine. Creating moving, ambient and hard-driving pads, leads and obligatto parts are a snap on the WS EX. Plus, there are a lot of silly RAM factory presets with drum beats and bass lines and other nonsense on them that are pretty much vanity presets and not too musical. This can really give your EX a new life and truly make it your own machine. This machine is best approached from a perspective of: "overwrite everything with my own stuff". However, the real trick is dealing with the staggering possibilities-hundreds of ROM snippets to choose from, in many different configurations, and-if wave sequencing, in limitless combinations. Editing it is, contrary to popular opinion, a breeze-seldom will you get lost thanks to the large and clear LCD screen and sensibly designed controls. The Wavestation's sound is bright and cheery, like most digital PCM-based ROMPLERS are. Combined together, this makes for a lot of exciting possibilities. The Wavestation EX is a great versatile piece of gear.
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